Who would have guessed that I would find my latest and greatest style inspiration dangerously close to the city of Orlando? No, I'm not talking about a tourist's sartorial perspective of Disney or Miami's sorry excuse for a "Fashion Week." But sometimes the best of what's ahead can be spotted while looking back - in a box of old photographs on my grandmother's coffee table.
My grandmother, Veronica, saved every Polaroid she ever shook and every digital she ever took. As a result, her ever-evolving, yet consistently sophisticated wardrobe has been well-documented throughout the decades.
Veronica Wolfe learned the power of pout as a child, sporting it like a young Sofia Loren. Here she is in 1947, exuding the potential of a little starlet.

Claire McCardell, the influential designer responsible for "The American Look," modernized the popular A-lined silhouette at the brink of the social revolution. My grandmother donned these playfully elegant skirts throughout her teen years in the mid-1950s.


Around 1959, fashion-forward ladies had completely relaxed the shape of their skirts. The image below shows Veronica Wolfe, soon to become Veronica Quinn, as she's draped in a breezy look on the beach with my grandfather.

One might assume that it would be difficult for an expecting woman to keep her look au-courant during the Twiggy-era. Regardless, and much like Anna Wintour, a young Mrs. Quinn effortlessly dresses her baby bump in fresh, mod fashions.

Both graceful and revolutionary, the tastemakers of my grandmother's generation took an active role in the evolution of what we know as fashion today. And thanks to forward-thinking, speculative individuals like her, an intriguing lifetime of style is now immortalized for generations to come.

Post by Amanda LaMela






















